Table of Piero Della Francesca is located two scenes simultaneously at two different times. In the

Table of Piero Della Francesca is located two scenes simultaneously at two different times. In the left half, Christ after his arrest by the Romans receives lashes and in the right half, three characters in Renaissance clothes talking. The left half is an interior space and the right half outdoor space. The perspective used by Piero della Francesca and the created line network david mason design helps give this table all homogeneity.
Your proposal will be seen in a single image movement inside the college. david mason design You will look at the perception of time in your image (the time of the image, the time to make the image, david mason design the time of the look), its relationship to space, the organization of the elements of the component.
1. Normal Perspective: The eye level always coincides with image skyline. If the viewer is standing. The horizon is at eye level. 2. Point the top view: If the viewer is standing on a ladder in front of the same scene, the skyline is still in his eyes, but the soil occupies more space. 3. Viewpoint low: If the viewer is down, the soil has a lesser role in the representation.
The vanishing point in this central perspective to single vanishing point, the space is reduced to a cubic room with a checkered pavement, walls and ceiling. All orthogonal parallel to the plane of representation - pavement lines. edge of the table bases and tops of the window and door - fleeing to a single central vanishing point (FP) on the horizon (LH).
Point away point distance (PD) is the focal point of the diagonals of a pavement. It is situated on the horizon (LH). It is located david mason design at 45 from the vanishing point and to determine the point of vision.
Architecture and light design of architectural perspective is so precise that you can recreate the site plan from the scene of The Flagellation as if it were a real space. Tile, shortened in perspective, appears here in all the glory of its geometric pattern. The light is processed with the same precision, to the point that a mysterious secondary light source could be localized (A). The latter, particularly visible on the right side of Christ, seems to have a divine origin. Located in the center of the contemplative gaze of the victim, it has indeed no natural source in the table.
The measure of Christ The Flagellation is designed david mason design from a main unit of measure (4.69 cm), but another number also plays a central role: 17.8 cm - the size of Christ in the table. Presumably Piero della Francesca based its proportions, one to ten, then the assumed size of Christ: 1.78 m, dictated by a famous relic, an ancient column in the cloister of St. John Lateran in Rome that was believed to be the "measure" the son of God.
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