The October 3 took place in Vigo the first roundtable, entitled Furia strategic for a wild time? ,

The October 3 took place in Vigo the first roundtable, entitled Furia strategic for a wild time? , VIII Cycle Writers / the University, organized by the Association of Writers and Writers in Galician. Berta Davila read this text, which is reproduced below for your blog:
"In 1937 a German stainless steel kitchen table speech novelist stainless steel kitchen table Ernst Wiechert opposing fascism and barbarism of his country, arrives in Moscow within a ball of dough. Forneadas inside his words summon, one way or another, the resistance. And not only the resistance, because sometimes it is not enough, but also the rebellion. Some time later, he would be made a political prisoner in the concentration camp of Buchenwald what was once one of the most read writers in Germany, and there would write a novel, The forest of the dead - Der Totenwald- without galician translation and edited in Spanish April 1946. I found a copy of the first edition of this book in a library old. It is a bound volume in orange fabric, stainless steel kitchen table maybe less orange than outside once. The change of color of the cover and changing stainless steel kitchen table speech Wiechert, who in the early thirties to support the so-called national socialism seemed marks the sun on a wild time. There, in Buchenwald, translated "forest of boxwoods," writer is not sentenced to forced labor but to silence, to stay in the margin. But Wiechert writes. Do this in small separate sheets of paper hidden under the ground as it fills in fine print words or space available. Write without anyone reads well and finds a way of resistance. stainless steel kitchen table And something else. Writing is the way they choose to survive Wiechert. Like Cesar Vallejo wrote poems Trilce in jail. And like Boris Pasternak wrote Doctor Zhivago from an internal exile. Interestingly, after the war ended, he returned to Buchenwald Wiechert and gets buried in the papers publish a book format. Dig in the forest of boxwoods to search for the dead forest. Der Totenwald is a poetic prose against the wild, it is not a chronicle stainless steel kitchen table in the strict sense, but a fiction stainless steel kitchen table book. On the first page says the protagonist feel, "wait, anguriosa, an unknown future, fraught with threats, that stood before him, enigmatic and silent, expressionless and report." Convídanme today to respond to a question, Furia strategic for a wild time? , On which I have really no safe answer. As the protagonist of Wiechert, stainless steel kitchen table who only know the poetry of my time is that you need to dig to atoparmos something, even if they are the shadows our own, and perhaps also operating in all of us a paradigm shift: stainless steel kitchen table that poetry can no longer be a path to seek the truth, but an arrow uncertainty. The poetic speech in a precarious time is, inevitably, the discourse of waiting. Although the poet knows that simply waiting to be devoured. Also from exile Hermann Broch write Death of Virgil, portrait of the last days of the Latin poet disgraced, a parable of confrontation against the writer's power. Since the expulsion of the poet of the Republic of Plato, the singer knows that only belong margins of their world and that this space is all that is allowed to see the city. The poet is a bird outside the walls, as you called Valente. In the verses that close the last section Presentation and memorial for a monument writes: "it stainless steel kitchen table is our exile in the kingdom." The diaspora resignifícase as well as space for poetry, which only makes sense when the words of the poet, written stainless steel kitchen table from the other side of the border, resonate, despite everything, stainless steel kitchen table within the city. Because no such speech could lie becoming blurred sense of abandoning the status symbols, not the poet violéntanse against each other like pieces of metal magnetized by opposing sides of the same sign. And in that violence break walls, crossing dogmas, point and create stigmas. stainless steel kitchen table The decision to violate the language to the extreme is the response of Paul Celan for poetry. His fury without recipient. Because Celan's poetry, as the ball of dough in which traveled stainless steel kitchen table speech Wiechert to Moscow, is a bottle thrown into the sea without the poet knows who will pick up or will come up with someone. Celan, Romanian poet of Jewish origin, but German-speaking, is in the dilemma of writing poetry that is witness to the Holocaust paradoxically using the same language appropriate by the Nazis to justify the repression exerted on his own people. Accordingly stainless steel kitchen table suffers a double repression, a double attempted silencing: the first experiential, shut in a labor camp in Moldova than finally manages to escape, the second stainless steel kitchen table language. Because the language provided companion of the empire, had been stripped of all truth naive and arbitrary to be part of a repressive machinery. Asked why they